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A wonderful review of my novel The Children’s Pond has just gone onto Landfall Review Online http://www.
David Herkt comments:
Shaw is always more than she seems as a novelist, going the extra distance. An attentive reader will find the novel filled with exactitude: real houses are identifiable, views precisely described, and trout pools those on river maps. Complex quandaries of individual lives are revealed with spare precision as they mesh with each other. The characters are individual without being caricatures and, while the novel feels complete, each of them has a personal story which will continue beyond the final words.
And the review finishes with this note:
The Children’s Pool seems perfectly tailored for both a New Zealand and international crime fiction market; it is easy to envisage it as a movie or a television drama, filled with the visual allure of its background scenery and the resonances of a landscape barely subjugated to human will.
About which I can only comment: Watch this space.
Some pertinent comments from Kevin Ashton, author of How to Fly a Horse: The secret history of creation, invention, and discovery:
“The people who are truly passionate, truly engaged and incredibly persistent and take lots of small steps by showing up early and staying late, those are the people who succeed. I don’t know if you’d call that genius – it’s more likely to be passion and work ethic.”
And very relevant to writers: “… if you work on something every day, you’ll look back and be amazed how much you’ve done. There’s no drive-through for creative success. You really do have to do the time, not just to do the creating, but to learn the craft.”
Writerly thoughts from Pulitzer Prize winning poet Mark Strand who died in November 2014:
“One of the amazing things about what I do is you don’t know when you’re going to be hit with an idea, you don’t know where it comes from. I think it has to do with language. Writers are people who have greater receptivity to language, and I think that they will see something in a phrase, or even in a word, that allows them to change it or improve what was there before. I have no idea where things come from. It’s a great mystery to me, but then so many things are. I don’t know why I’m me, I don’t know why I do the things I do. I don’t even know whether my writing is a way of figuring it out. I think that it’s inevitable, you learn more about yourself the more you write, but that’s not the purpose of writing. I don’t write to find out more about myself. I write because it amuses me.”
One of the many wonderful things Donna Tartt does in her writing (see The Goldfinch) is use descriptive ‘lists’ … this is a technique that really adds depth and interest to her writing:
“What I somehow hadn’t expected was a city prinked-up for Christmas: fir boughs and tinsel, starburst ornaments in the shop windows and a cold stiff wind coming off the canals and fires and festival stalls and people on bicycles, toys and color and candy, holiday confusion and gleam. Little dogs, little children, gossipers and watchers and package bearers, clowns in top hats and military greatcoats and a little dancing jester in Christmas clothes a la Avercamp.”
“That a knock-back stings, but it doesn’t really injure you. That I sometimes live in fear of failing, and when the crunch comes it is disappointing, but it turns out I’m still standing. And, in the end, you forget about your losses and your failures – so sometimes I just choose to fast-track the forgetting bit. Coming to a deadend can also mean that you have a chance to pick a new adventure.”
From The Economist, a marvellous essay on books and publishing. Here are a few quotes:
‘… to see technology purely as a threat to books risks missing a key point. Books are not just “tree flakes encased in dead cow”, as a scholar once wryly put it. They are a technology in their own right, one developed and used for the refinement and advancement of thought. And this technology is a powerful, long-lived and adaptable one.’
‘The growth rate of e-books has recently slowed in many markets, including America and Britain. Publishers now expect most of their sales to remain in print books for decades to come—some say for ever.
There are a number of reasons. One is that, as Russell Grandinetti, who oversees Amazon’s Kindle business, puts it, the print book is “a really competitive technology”: it is portable, hard to break, has high-resolution pages and a “long battery life”.’
Neat review of The Children’s Pond by Karen Chisholm on the AustCrimeFiction blog: www.austcrimefiction.or
Just finished – late last night – the new novel.
& greatly enjoyed it, did I.
Congratulations’n’ all that
I haven’t ever fished for trout, but have
always loved the area.
I used to stay, on a regular basis,
at Brian Jones’s Braxmere Fishing Lodge.
Many good – & productive – times
spent there. For sure.
Well, best wishes to you.
I’ll be rereading CHILDREN’S POND
pretty soon, I can tell.
ole & aloha